Welcome to Woofer's Lair. Curious as to what you will see here? Well, for the most part, you will find book reviews, maybe the occasional movie review, and if you are lucky, you might stumble across one of my own works in progress. If you like what you see or what read, and even if you don't, please feel free to leave your comments. As I am somewhat new to blogging, all of your constructive feedback is appreciated. Have fun and thanks for stopping by.
Saturday, August 30, 2014
Don't ask what possessed me to buy Duane Bradley's Sick in the Head, because I have no idea. Maybe it was a freebie, maybe it was only 99 cents, but whatever the reason, I'm glad I did.
Detective Greg Parker, like most men, isn't exactly happy with the size of his pecker, so when he stumbles across the means of making it larger, he... well, he doesn't exactly jump at the chance because it involves eating another man's penis (we're not talking blowjob here), but when the opportunity presents itself in the former of a Lorena Bobbitt-type cast off, he takes advantage of the situation (tastes like chicken). While this "ancient Chinese secret" has the desired effect, it isn't without side effects: Parker's pecker literally takes on a life of its own. It can talk, and it doesn't always need to be attached to Parker to seek out what it wants. And since Parker, like most men, tends to think with his crotch, we all know what Seymour (yeah, that's its name) wants. The only problem is that with each sexual conquest, Seymour grows. There's no stopping it (you know where this is going, don't you?). Eventually what we're faced with is The Attack of the 50 Foot Penis. How will New York City survive? Well, I won't spoil the fun, but there is a secret weapon that is rolled out that had me literally laughing out loud.
Given the nature of the book, it's obviously not for everyone, but if you if you have a slightly warped sense of humor like I do, then you will enjoy Sick in the Head. The story is short and moves at a fast pace, and Bradley's sense of twisted humor, while sophmoric (what else can you expect when telling the story about a mobile talking penis?), is spot on. I wasn't expecting much when I started reading, but quickly found I did not want to put it down until I reached the end. If you can put your delicate sensibilities aside and suspend your disbelief (crumple it up and throw it out the window), then I would highly recommend this one.
Friday, August 15, 2014
The novel starts off innocently enough with the Institute Lou, our central character, is employed by inherits the Cary estate, which is situated on a remote Canadian island. Lou is sent to settle the estate and catalog the massive library contained within the house, as it was requested that the library not be separated from the property. Lou doesn't quite know what to expect upon her arrival at the house; the one thing she is not expecting, however, is a bear. A tame bear. It seems the previous own kept a bear on the property, penned up and chained the way you would a dog in an outdoor kennel.
At first she wants little to do with the animal, and the bear expects nothing from her except its food, but it seems the prior owner was fascinated by the species, as were her ancestors, as there are notes written on slips of paper in just about every book Lou picks up, all revealing some cultural or historical fact about bears. It might be subliminal, but before too long she takes an active interest in the bear, taking it for walks, swimming with it, and even allowing it into the house to curl up by the fireplace while she works. With no one else on the island save for an old Indian woman, who Lou has only encountered once or twice, Lou has no social outlet unless she wants to take a trip to the mainland, so she turns to the bear as a companion. The relationship between the two progresses quite rapidly, and eventually becomes intimate, and that's when Lou begins to lose herself. She becomes more of a wild woman, living only for the bear, and it seems like she is willing to give up her previous life to stay on the island and care for the bear. The inability to consummate their relationship by committing that final act frustrates Lou, and at first she blames the bear, but then she realizes the fault lies with her, and what she was attempting to do is wrong. She does make one last attempt to "seal the deal" so to speak, and ends up being gravely hurt in the process.
The book itself is not a bad book, and once you get past the "eww" factor of a woman performing intimate acts with a wild animal, you see what the book is really about. During the course of the narrative, we find that Lou tends to give of herself with no expectation of getting anything in return. This can be said if her work life and her romantic life. Her relationship with the bear is symbolic of her life, and you go through it wondering when she is going to wake up and realize that what she is doing is wrong. That point does come, and with it comes that realization that she deserves more out of life.
After I finished reading Bear, I closed the book and wondered, What was so great about that? It was okay, but hardly worthy of the award and praise it has gotten. But now that some time has passed and I've had a chance to look at it as a whole, I see how amazing the book truly is and how skillfully the author was able to encapsulate all aspects of this woman's life in that one relationship. I would highly recommend it.